Biography:

Chiara was born 5 May 1990 in Florence and moved as a child in Pistoia, where he resides now.
She discovered at school the love for literature, a passion that she will leave never. In particular she  continues to devote himself to poetry outside the school also studying  production of authors such as Montale, Pessoa, Rilke, Ungaretti, Hikmet, Lorca, Prévert, Salinas, and many composers of haiku and tanka.
In 2009, she was awarded with the fifth ranks in competition "Poetic Plaque of Merit" organized by Apice (Piedmontese Association Against Epilepsy) with the phrase "the freshness of the images and the nice sounds of rhythm."
In high school discovers a new passion for math and physics, which will bring her to join a degree course in Physics and Astrophysics, who attended today at the University of Florence.

  

Contact Chiara   kim-5@hotmail.it    

Critical comment:

The poetic development of Chiara Magni is aphoristic, the fact remains that the brief phrasing shines preserving to the lyrics the evocative power of a writing whose expressive forms convey meaning and significance in a simple and enjoyable writing.
The scenic plan includes demands and expectations that "condense" the ego dilating it  in hopes evergreen jewel of interiority that "exit" from herself and becomes universal in a duet reality/verse life/ sound.
The architecture of Chiara is set in a magical realism whose fantastic background gives strength to the action (You’ll stretch Your hand toward me?), force and effect to lines (Your essence premature intact until a few words ago), exquisite figurative elegance to "visionary" dimension (If you give me fairy tales I’ll not fly away by night) to the stylistic and technical plant.
Not a striking poetic manifesto, rather a series of lunges firm and resolute in the use of the word / smoke which weaves masterfully iconography very elusive under that thickening (I condense towards Florence) which serves as essential mark of a way to make poetry which takes distances from the brisk self-referentiality of the ego and opens up wider horizons, fully in line with the current debate on poetry today.
(Commento diCristina Raddavero)